Forskjell mellom versjoner av «Rosenberg, H. "The fall of Paris" 1»
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| − | + | Harold Rosenberg: The Fall of Paris 1940 | |
'''The Style of Today''' | '''The Style of Today''' | ||
| − | "Paris | + | During the course of the twenthieth Century, some "exuberant" artistic mouvements too place in Europe and in particular in Paris, described as the Holy Place for artists <ref>Rosenberg, ''Tradition of the New,'' 210</ref>. Paris was described by Rosenberg as a passive city could be possessed and owned by artists, and that was the succes for it becoming an art Capital. |
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| + | <references group="Harold Rosenberg" /> | ||
'''The Intellectual Form of Defeat''' | '''The Intellectual Form of Defeat''' | ||
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| + | = litteraturliste = | ||
| + | Harrison & Wood | ||
Rosenberg, Harold. ''Tradition of the New,'' London and New York, 1962, pp.209-20 | Rosenberg, Harold. ''Tradition of the New,'' London and New York, 1962, pp.209-20 | ||
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[[Kategori:Sammendrag]] | [[Kategori:Sammendrag]] | ||
Revisjonen fra 27. sep. 2017 kl. 16:21
Harold Rosenberg: The Fall of Paris 1940
The Style of Today
During the course of the twenthieth Century, some "exuberant" artistic mouvements too place in Europe and in particular in Paris, described as the Holy Place for artists [1]. Paris was described by Rosenberg as a passive city could be possessed and owned by artists, and that was the succes for it becoming an art Capital.
The Intellectual Form of Defeat
litteraturliste
Harrison & Wood
Rosenberg, Harold. Tradition of the New, London and New York, 1962, pp.209-20- ↑ Rosenberg, Tradition of the New, 210
